JAWAAN (2023) : review

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And finally the much hyped, much awaited Jawaan saw light of the day ! Big stars, big budget( humongous budget actually), big music composer, everything super large. But does it meet the expectations of the average viewer? No it goes not. Read on.  A decorated jawan locks horns with a criminal called Kaali, this is in 1986 ( the year movies like Aakhri Raasta released, just for reference). Kaali gets him eliminated and send the pregnant wife to jail. The baby born in jail grows up to become the hero (look alike of the father) and decides to avenge the misdeeds done to his innocent patriotic parents. Well, isn’t it a masaaledaar full on Bollywood- Tollywood drama subject ?  And then the director Atlee also borrows ideas and references from various retro movies, some idea from Sholay (1975) as the hero assembled a gang of jailed Qaidis in order to form a team to nab the villain, then there’s an entire episode borrowed from Dhartiputra (1993), and the basic theme is copy pasted ...

RAAZI (2018) the review

RAAZI (2018) 

Directed by : Meghana Gulzar 

Very rarely in Bollywood do you get to watch a sensitive yet path breaking movie like Raazi which is directed by Meghana Gulzar who had earlier impressed with the unbiased presentation of Talwar (2015). 

Raazi chronicles the eventful and inspiring journey of a twenty something Indian Kashmiri girl Sehmat ( Alia Bhatt) who is studying in college and is suddenly summoned by her father (Rajit Kapur) to take up the huge responsibility of turning into a spy who would transfer sensitive and confidential information from Pakistan to India (the story is set up during the 1971 war). She is married off to a Pakistani man Iqbal (Vicky Kaushal) who belongs to a highly influential family in Rawalpindi headed by his father (Shishir Sharma) who is also heading the armed forces. 

The director has indeed done a splendid job of holding on viewers interest in the on screen proceedings. The story which is apparently based on a true life event looks dramatic rather than realistic yet a taut screenplay and crisp editing do wonders. The tension filled camaraderie between the heroine and the senior Servant (Arif Zachariah) is dealt with a lot of finesse by the director. Besides Zachariah, Bhatt also gets to share some amazing moments with her trainer(Jaideep Ahlawat) which look great on screen. 

The music is passable except the Watan song sung by Sunidhi Chauhan which is pictured beautifully on Bhatt and kids. The cinematography is beautiful in parts, dialogues could have been much better yet credit should be given to the director for not making it a loud and bosterious patriotic saga, none of the members of Bhatt’s Pakistani family are made villainous, they are as real as any nation loving resident be it an Indian or a Pakistani. 

Alia Bhatt gets the best role of her career and she gives it her best shot, she may not have an expressive face or a strong voice but it’s her innocence and naïveté that makes you empathise with her even when she is technically a murderess on the prowl, the director has extracted the best of Bhatt. Jaideep Ahlawat is fantastic and can convey a lot with a straight face and no hamming. Rajit Kapur, Shishir Sharma, Kanwaljit Singh, Sanjay Suri are passable and leave no impression. Vicky Kaushal has that Manoj Bajpaye quality about him, very restrained and underplayed. Veteran Arif Zachariah is impressive. Both Soni Razdan and Amruta Khanvilkar disappoint and only contribute to the emotional quotient. 

Beautiful, sensitive and very soulful that’s the way Raazi can be best described. The movie certainly has a soul and the director knows her heart is in the right place. 

⭐️⭐️⭐️

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