JAWAAN (2023) : review

-
Image
And finally the much hyped, much awaited Jawaan saw light of the day ! Big stars, big budget( humongous budget actually), big music composer, everything super large. But does it meet the expectations of the average viewer? No it goes not. Read on.  A decorated jawan locks horns with a criminal called Kaali, this is in 1986 ( the year movies like Aakhri Raasta released, just for reference). Kaali gets him eliminated and send the pregnant wife to jail. The baby born in jail grows up to become the hero (look alike of the father) and decides to avenge the misdeeds done to his innocent patriotic parents. Well, isn’t it a masaaledaar full on Bollywood- Tollywood drama subject ?  And then the director Atlee also borrows ideas and references from various retro movies, some idea from Sholay (1975) as the hero assembled a gang of jailed Qaidis in order to form a team to nab the villain, then there’s an entire episode borrowed from Dhartiputra (1993), and the basic theme is copy pasted ...
Post a Comment

TRIBHANGA(2021): review

-


Directed by: Renuka Shahane 

Cast: Kajol, Tanvi Azmi, Kanwaljeet Singh, Mithila Palkar, Vaibhav Tatwawadi, Kunal Roy Kapur, Manav Gohil, and others 

After watching TRIBHANGA there are two things I liked most about it, one the crisp length of just 1 hour 35 mins and secondly the supremely talented yet criminally underrated Tanvi Azmi. 



Shahane’s directorial venture focuses on a dysfunctional family with three generations of women, when the oldest slips into coma the story moves into an emotional roller coaster journey wherein the characters reminisce the past, the bittersweet memories and bond over unbreakable womanhood. 



Good concept? Certainly yes. And to give Shahane due credit she shows a spark in the director’s seat and one can expect far better and polished work from her in the near future, as for TRIBHANGA it’s a good opportunity lost. Shahane seems to have been an incessant hurry to wind up the project, the relationships between the characters don’t get deepened and that’s where the basic emotional chord is lost. Like the role played by Manav Gohil, who was he and what was his relationship with that family? Not explained. 



Kajol is Kajol, loud, uninhibited and quite intolerable after a point, while Palkar is a revelation! At such a young age her mature performance is commendable, proving she’s suitable for bigger plum projects than “little things”. Kunal Roy Kapur is decent, but the performer is undoubtedly Tanvi Azmi, simply brilliant. 



Shahane has tried to deal with several issues that the society witnesses including gender determination of child, child sexual abuse, single motherhood, divorce, and many others, but it appears the time slot assigned to her was minimal. This could’ve been much much better but if you’re a die hard Kajol fan you’ll lap it up. 
⭐️⭐️

Comments

Post a Comment

Popular posts from this blog

FLASHBACK# An Affair To Remember ?

-
Image
Asha Bhosle and Dada Kondke? Seriously ? I’ll be dubbed insane to link these two veterans. But it’s one little known, never discussed, lost in clandestine Bollywood history romance (?) which was described in detail by the late actor in his controversial autobiography “Ekata Jeev” which was posthumously published.  In the biography there is a special chapter titled “Asha Nirasha” wherein Kondke has gone at length discussing about his tumultuous affair with the greatest songstress of all times. Kondke still a rising upcoming film actor at that time (1972) with only one hit to his credit was taken under her wings by the number two playback singer of Bollywood Asha Bhosle. Bhosle was at that time nursing a broken heart freshly wounded after a fourteen year long relationship with music maestro OP Nayyar had bitterly ended.  It is alleged Bhosle was depressed and found the right anchor in Kondke who in her eyes was the perfect jester to bring joy and happiness in her phase of rebou...
Read more

An uncut diamond called SARIKA

-
Image
There must surely be a really long list of artists in Bollywood who are termed underrated and under-utilised. One such actor is yesteryear’s sex symbol and more commonly known as Kamal Hasan’s ex Sarika ! It’s so unfortunate she’s labelled either of those two undeserving tags. Not that being referred to as a sex symbol is bad, but then she was much more than that.  Sarika was born in 1960 in a maharashtrian ‘Thakur’ family. Apparently the ‘father’ was conspicuous by his absence hence she was pushed into earning bread and butter at the age of six. When girls her age played with dolls, Sarika did the studio rounds as ‘Moppet Suraj’ mostly playing a little boy. From 1967-1975 through her transition from a child to a teenager she acted in notable films like Humraaz (1967), Aashirwad(1969), Khushboo(1975) and became a leading lady at 16 with Geet Gata Chal(1976) a surprise hit. Unfortunately her succeeding lead roles didn’t set the box office on fire, she was cast in a dozen disasters ...
Read more

Flashback# WHERE IS NEETA MEHTA?

-
Image
A tall, benign sophisticated woman clad in gerua robes, a picture of peace, epitome of spirituality, soft spoken and mature, nobody would guess this spiritually awakened yogini was once a glamorous Bollywood star! That’s 70s and 80s glamour girl Neeta Mehta who’s metamorphosed into a spiritual guru Maa with a new name Swami Nityanand Giri.  Neeta during a modelling shoot (1976)  Neeta Mehta was born in 1956 in an academically effluent Gujarati family. Not inclined towards academics she enrolled at FTII Pune acting course when she was only 16 and soon entered the glamorous Make belief world of Hindi cinema. Her debut Ponga Pandit(1975) opposite Randhir Kapoor was a runaway hit but success didn’t come knocking at Neeta’s door that easily. While her contemporaries were flooded with a dozen offers at one go, Neeta wasn’t exactly PR savvy and lagged behind in the rat race.  In a still from Ponga Pandit(1975) with Danny Dengzongpa and Prema Narayan.  She moved at a snail’...
Read more